![]() The article also accurately notes that New York has a lot of brown - and that its ubiquitous brownstones are colored by a type of stone that was found in abundance in the nearby quarries of upstate New York and New Jersey. Or as Claude Monet inverted the palette: Houses of Parliament, Stormy Sky, 1904. Pancras and King’s Cross stations, which Furseth mentions to illustrate her point, there’s this splash of gold that has defined London for so many generations: ![]() All over the world, the colors of cities can be traced back to similarly unglamorous practicalities.Īpart from St. London’s ever-present yellow is the result of a Georgian building boom that relied on local materials. When fired, the bricks come out in a range of yellows, from whitish and ochre to brown and purple. The yellowbrick is made from London clay, which is rich with minerals deposited by the river Thames on its journey to the sea. But this was never a conscious decision: The gold tones of London were an accident of nature. Gold is the perfect color for a place so often covered in fog and rain, providing an uplifting sunny yellow that looks almost better when it’s wet. ![]() ![]() I really enjoyed this Curbed Longform article by Jessica Furseth about the intrinsic color palettes of particular cities, and how they came to be: ![]()
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